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Indian art has always entwined in itself history,
religion and philosophy. India can boast of many a
great artists of the century. Francis Newton Souza
was one such artist. He was the first experimental
artist from India to achieve wide spread fame in the
west. He was born on April 12, 1928 at Goa and was
Christian by relegion. He studied Art at the J.J.
School of Arts in Mumbai but was expelled from the
school for his participation in the Quit India
Movement way back in 1942. Souza’a career developed
steadily and he started participating in a lot of
exhibitions and shows. Souza was the founder of the
Bombay Progressive Artist’s Group. He encouraged all
painters to participate in the avant-garde movement.
Souza moved to England in the 1950’s. Souza was one
of the early modernist in the true sense of the
term.
F N
Souza’s painting always screamed to make a world his
own. They appeared ephemeral. with his incensed
brushstrokes, criss-cross lines and glossy borders.
His paintings seemed grave and futile, pressing and
mocking at you. Souza reasserted the intensity of
impressions with utmost desperation. Souza’s
painting seemed to attack the canvas. It was as if
he waged a war against it. Souza combined the art of
ex-pressionism of Rouault and Soutine, fortitude of
Cubism and ancient Indian classical sculptures to
paint beautiful landscapes, crucifixes, popes and
priests etc. Lines were what Souza’s forte was.
Souza always painted and still left something in his
paintings which made them mysterious and
captivating.
What
threw Souza into fame was his autobiographical essay
‘Nirvana of a Maggot’ which appeared in 1955 in a
magazine edited by Stephen Spender. ‘Words and
Lines’ was his other great book which was published
in London in 1959. In 1967, Souza settled in New
York. Souza has also been a part of the Commonwealth
Artists of Fame exhibition which was held in London
in 1977. He has also participated in several other
exhibitions which include one-man shows in Paris in
1954 and 1960 and in Detroit in 1968. In 1987, his
retrospectives were held in New Delhi and Mumbai. He
also exhibited his work at the Indus Gallery in
Karachi in 1988. In 1996, his paintings were
displayed at New Delhi again. In 2005, as part of
their British Art Collection, the Tate Britain
devoted an area to Souza’s works so that Britain art
lovers could appreciate his work time and now. Souza
work also had hints of ex-pressionism and British
neo-romanticism. F. N. Souza also received positive
appreciation from John Peter Berger, an art
critique. Berger also said that Souza’s style was
deliberately eclectic.
In his
last days Souza painted many pictures under the
title “Goa portfolio” where he also wrote a lot of
inspiring prose. Souza was always viewed as a
brilliant painter, a good writer, a visionary and a
pathfinder. Although Souza lived in the west; first
England then New York, he remained a through Indian
at heart.
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